Welcome to Premium Paper Help

premiumpaperhelp.com logo

Our Services

Get 15% Discount on your First Order

The information is in the attachment. Please look through it carefully. Self-navigate the Arts of Asia and the Arts of Ancient Americas departments

The information is in the attachment. Please look through it carefully.

Self-navigate the Arts of Asia and the Arts of Ancient Americas departments in the Denver Art Museum

to find the following 14 items. Please ensure that you follow the rules of the museum and conduct

yourself with care around the objects on display, other visitors. Click on the link below each item to view

the webpage and photo for it.

For all 14 items listed below:

1. Photograph the item in context, what items (if any) are immediately adjacent to this one. Does it

share a cabinet with any other items? Is there a larger visual collection that the item belongs to

(for instance pendants, vases, etc.?)

2. Take a photo of the label for the item for your records.

3. Consider the way that the item is displayed, the room, the lighting, and so on.

4. Choose the one item from this list that resonates with you for the object study..(see below)

ARTS OF ASIA:

● Horse, 206BCE-8CE, China, figure, ceramic, Arts of Asia

● Bird Head Deity Fragment, 885 BCE, Iraq, Limestone, Arts of Asia

● Acuoye Guanyin, Yunnan Province, Figure, China (1100s-1200s), Arts of Asia

● Lajvardina Tile with “Allah”, Islamic, Tile, Iran (1300s), Arts of Asia

● Seated Eight-armed Durge, Artist: Brahma, Shiva, and Vishu, Madhya Pradesh Province,

Sandstone Sculpture, Central India (1000s – 1100s), Arts of Asia.

● Stela, 400s-500s, China, Stela, Arts of Asia

ARTS OF ANCIENT AMERICAS:

● Bridge-Spout Bottle in Form of a Feline, 400-100 BCE, Peru, Ceramic with post-fred resin paint,

Unknown Paracas artist, Arts of Ancient Americas

● Breastplate with Supernatural Crocodile, Central Panama Azuero Peninsula, Hammered

Gold Alloy, Colombia (400-1000 CE), Arts of the Ancient Americas

● Handled Bark Beater for Making Paper, Andestine (stone), Central Region of Costa Rica (700 –

1520 CE).

● Roller Stamp with Geometric Motifs, Ceramic, Santa Clara Group: Stamp (1–1000 CE)

● Teotihuacan-Style Incense Burner, 350-550 CE, Maya, Escuintla Tiquisate, Guatemala, Lid,

Ceramic, Arts of the Ancient Americas

● Ocarina in the Form of a Female Figure w/ Monkey and Child, 550-950 CE, Maya,

Guatemalan highlands Alta Verpaz region, whistle, Ceramic, Arts of the Ancient Americas

● Ixtlán del Río-Style House Model with Figures Feasting, Unknown Nayarit artist,Nayarit region,

Western Mexico (100–1 BCE)

● Standing Figure with Sprouting Plant emerging from Head, 1000-400 BCE, Olmec, Mexico,

Greenstone, Arts of Ancient Americas

ARTS OF AFRICA (Cross over to the Daniel Liebeskind Building to find this one!)

• Spirit Boat Model, 1991 B.C.-1786 B.C. Gebelein, Egypt

ADDITIONAL ITEMS OF INTEREST

Note: These items should fall within the timespan of our class from around 3000BCE to 1400 CE/AD

• ___________________________________________________________________________ •

___________________________________________________________________________ •

___________________________________________________________________________ •

___________________________________________________________________________

• ___________________________________________________________________________

Object Study:

This is your opportunity to consider the types of artifacts and objects we consider important to telling

histories of the built environment. We also want to explore how we look at objects and how they can

connect us to the histories we’re learning about from the textbooks and lectures.

In the museum, consider how you document the item:

1. Do you choose to photograph the item, or draw it, or some other means?

2. How much detail do you choose to show, are there scratches or wear that are significant to

document?

3. How can you show scale in your documentation?

4. How might you indicate materiality or color in your documentation?

Later at home you should research this object according to the following questions:

• Who were the original makers of the object?

• Can you find out information about where this object was made and the context?

• What was the use of this item, what was its function in daily life?

• In other words, how would you connect this item in the museum with the historical context of

its making. This will require outside research than what is available in the museum or the

textbooks.

• You might choose for instance to match your selected artifact with an architectural example

from the same time and geography to make a comparison or speculation.

Share This Post

Email
WhatsApp
Facebook
Twitter
LinkedIn
Pinterest
Reddit

Order a Similar Paper and get 15% Discount on your First Order

Related Questions

Description College of Administration and Finance Sciences Assignment (2) Deadline: Saturday 04/05/2024 @ 23:59 Course Name: Cost

Description College of Administration and Finance Sciences Assignment (2) Deadline: Saturday 04/05/2024 @ 23:59 Course Name: Cost Accounting Student’s Name: Course Code: ACCT 301 Student’s ID Number: Semester: Second CRN: Academic Year: 1445 H For Instructor’s Use only Instructor’s Name: Students’ Grade: /15 Level of Marks: High/Middle/Low Instructions – PLEASE

Introduction Strategic Marketing Brief The Course Project is a strategic

Introduction Strategic Marketing Brief The Course Project is a strategic marketing brief and summary presentation for a new product. Similar to a complete marketing plan, the brief includes topics such as the marketing mix and promotional mix. In contrast to a marketing plan, the strategic brief communicates these and other

Instructions:  Read pp. 13-34 (O’Connor’s Introduction and chapter 1).  As you do, compose a list of the major characteristics of the Wisdom tradition and

Instructions:  Read pp. 13-34 (O’Connor’s Introduction and chapter 1).  As you do, compose a list of the major characteristics of the Wisdom tradition and its literature.  (.5-1 page) Read 4. Based on the reading of your chapter, consider/discuss how the themes and approaches to ‘life/living’ of this particular Wisdom book can ‘inform and

Hide Assignment InformationTurnitinThis assignment will be submitted to Turnitin.InstructionsModule 1 Essay Instructions For the past few weeks we’ve been

Hide Assignment InformationTurnitinThis assignment will be submitted to Turnitin.InstructionsModule 1 Essay Instructions For the past few weeks we’ve been discussing the ways in which the world became more interconnected from the 1400s through the mid-1700s. In particular, the world was never the same after people from the so-called Old World

Please see the file attached Online Social Media Principles (12/2/09)  Online Social Media

Please see the file attached Online Social Media Principles (12/2/09)  Online Social Media Principles INTRODUCTION  Every day, people discuss, debate and embrace The Coca‐Cola Company and our brands in thousands of online  conversations. We recognize the vital importance of participating in these online conversations and are  committed to ensuring that we participate in online social media the right way. These Online Social Media  Principles have been developed to help empower our associates to participate in this new frontier of  marketing and communications, represent our Company, and share the optimistic and positive spirits of our  brands.  The vision of the Company to achieve sustainable growth online and offline is guided by certain shared values  that we live by as an organization and as individuals:  • LEADERSHIP: The courage to shape a better future;  • COLLABORATION: Leveraging our collective genius;   • INTEGRITY: Being real;  • ACCOUNTABILITY: Recognizing that if it is to be, it’s up to me;   • PASSION: Showing commitment in heart and mind;   • DIVERSITY: Being as inclusive as our brands; and   • QUALITY: Ensuring what we do, we do well.  These Online Social Media Principles are intended to outline how these values should be demonstrated in the  online social media space and to guide your participation in this area, both when you are participating  personally, as well as when you are acting on behalf of the Company. It is critical that we always remember who  we are (a marketing company) and what our role is in the social media community (to build our brands).  The  same rules that apply to our messaging and communications in traditional media still apply in the online social  media space; simply because the development and implementation of an online social media program can be  fast, easy, and inexpensive doesn’t mean that different rules apply.  The Company encourages all of its associates to explore and engage in social media communities at a level at  which they feel comfortable. Have fun, but be smart. The best advice is to approach online worlds in the same  way we do the physical one – by using sound judgment and common sense, by adhering to the Company’s  values, and by following the Code of Business Conduct and all other applicable policies.   COMPANY COMMITMENTS  The Company adheres strongly to its core values in the online social media community, and we expect the same  commitment from all Company representatives – including Company associates, and associates of our agencies,  vendors and suppliers. Any deviation from these commitments may be subject to disciplinary review or other  appropriate action.  The Five Core Values of the Company in the Online Social Media Community